Timetable:
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Course descriptions:
- BMI-FLMD-102E.02 – BMI-FLMD-122E.02 – Film Analysis 2: Editing / Montage – László Strausz
- BMI-FLMD16-211.03 – BMI-FLMD-213E.11 – BMI-FLMD-211E.11 – The History of Film Music – Gergely Hubai
- BMI-FLMD-211E.07 – BMI-FLMD-213E.07 – BMI-FLMD-311E.04 – Concise History of Hungarian Cinema till 1989 – Györgyi Vajdovich
- BMI-FLMD-211E.10 – BMI-FLMD-213E.10 – Postclassical American cinema: audiences, markets and technologies – László Strausz
- BMI-FLMD-232E.03 – Cultural Approaches to Contemporary European Cinema – Hajnal Király
- BMI-FLMD-242:E.05 – BMI-FLMD-244:E.01 – Research Methodology Professional Writing: Research Methodology – Beja Margitházi PhD
- BMI-FLMD-244:E.01 – BMI-FLMD-242:E.05 – Research Methodology / Professional Writing: Research Methodology – Beja Margitházi PhD
- BMI-FLMD-312E.09 – BMI-FLMD-314E.09 – Changing faces of the Western: myth and genre – Tibor Hirsch
- BMI-FLMD-312E.18 – BMI-FLMD-314E.18 – Popular and Author Film Trends in Indian Cinema – Györgyi Vajdovich
- BMI-FLMD-312E.19 – BMI-FLMD-314E.19 – Film Music Analysis: The Music of James Bond Films – Gergely Hubai
- BMI-FLMD-322E.19 – Contemporary Continental Philosophy – Sándor Sajó
- BMI-FLMD-322E.31 – Film Theory Seminar Critical Reading: Contemporary Trends in Film Theory – Beja Margitházi PhD
- BMI-FLMD-322E.32 – Theories of Adaptation – Katalin Teller
- BMI-FLMD-334.01 – BMI-FLMD-334.02 – There is a Place – Online Personal Video: Theory and History – Anna Gács, Katalin Orbán
- BMI-FLMD-351E.09 – Filmmaking practicum – András Salamon
- BMI-FLMD-362E.06 – Seminar on Production Basics: Film Sound and Film Music 2. – Marton Kristof
- BMI-FLMD-378E.02 – Filmmaking practicum Course convenors: András Salamon