Timetable:
Course descriptions:
- FLMD-232E.04 FLMD-322E.39 FLM18-402.02 FLMD16-312.16 Multicultural and Multilingual Bollywood – Györgyi Vajdovich PhD
- FLMD-242E.03 – Academic writing – Györgyi Vajdovich
- FLMD-244E.01 – Research Methodology – Beja Margitházi PhD
- FLMD-314E.20 – Eastern European Popular Cinemas During and After Socialism – Balázs Varga
- FLMD-322E.23 – Do Images Matter? – Sándor Sajó
- FLMD-322E.31 – Film Theory Seminar: Critical Reading: Contemporary Trends in Film Theory – Beja Margitházi PhD
- FLMD-374E.05 – Screenwriting 1. – Balázs Maruszki
- BMA-FLMD-376.10 – BMI-FLMD-376E.05 – BMI-FLMD-376E.06 Film Dramaturgy – From the Editor’s Perspective – Brigitta Bacskai
- BMI-FLMD-376E.04 – BMI-FLMD-376E.04 Vágási gyakorlatok 2. – Editing 2. – Brigitta Bacskai
- FLMD-102E.03 – Introduction to Film Studies – Editing, Montage – Teréz Vincze
- FLMD-213E.08 – Modern European Art Cinema – András Bálint Kovács
- FLMD-213E.09 – American Cinema in the 30s and 40s -Tibor Hirsch
- FLMD-314E.06 – Fate and History – István Szabó’s Cinema – Tibor Hirsch
- FLMD-322E.36 – Circus on screen – Katalin Teller
- FLMD-322E.37 – Cine-scapes – cinematic imagination of urban experience – Ergün Basak
- FLMD-322E.38 – Cinematic Corporeality – From desired Bodies to Desiring Bodies – Ergün Basak
- FLMD-322E.03 – Everyday life in socialist Hungary – Ferenc Hammer
- FLMD-365E.01 – East European My Street Project – András Müllner
- FLMD-334E.01, FLMD-334E.02. – There is a Place – Online Personal Video – Theory and History – Anna Gács, Kati Orbán